FIM and the Musicians’ Union of the Ivory Coast (SAMCI) organised a national training workshop in Abidjan, from 16–19 July 2018, as part of its regional training programme backed by Union to Union. The workshop benefitted from a partnership with regional organisation Arterial Network, whose headquarters are in Abidjan.
The workshop focused on two issues:
1. the union’s internal organisation;
2. gender equality.
Since July 2017, SAMCI has been officially recognized as a professional union, has become a FIM member and held empowerment meetings for various communities of musicians, mainly in the Abidjan region.
This result is a genuine success for performers, achieved after considerable efforts and against a globally hostile backdrop. In reality, the European Commission’s initial proposal fell way short of our expectations, entirely leaving to one side, for example, the central issue of artists’ remuneration where streaming was concerned.
On 8 and 9 September 2016, the final conference took place in Brussels of the joint FIM, FIA, UNI-MEI and EFJ project focusing on the future of work and atypical working in the arts, entertainment and media sector. It was held in the European Parliament and the premises of the European Economic and Social Committee.
Besides representatives from the four organising federations, the conference welcomed European and national parliamentarians, representatives of the European Commission, the International Labour Office (ILO) and the European Trade Unions Confederation (ETUC) as well as jurists specialized in social law.
Workplaces in the live performance sector are challenged by very diverse health and safety risks. These stem from a broad range of activities such as stage performances, chemical substances used in special effects, the presence of an audience and environmental aspects such as lighting and temperature.
Specific risk assessment strategies are vital to prevent accidents and ill-health in the sector. The OiRA tools are developed to support small enterprises in better dealing with these challenges.
The EU social partners from the Live Performance sector : the European Arts and Entertainment Alliance (EAEA, composed of FIM, FIA and UNI MEI) and Pearle* have released a video on their Online interactive Risk Assessment (OiRA) tools.
OPEN LETTER TO THE BOARD OF THE ROME OPERA THEATRE, THE MUNICIPALITY OF ROME AND THE GOVERNMENT OF ITALY
The three International Federations representing workers in the Arts and Entertainment sector call upon the Board of the Rome Opera Theatre to reverse its decision to dismiss all orchestra musicians and choir members.
The International Federation of Musicians (FIM), the International Federation of Actors (FIA), UNI – Media, Entertainment & Arts (UNI MEI) and their member organisations in more than 120 countries were extremely shocked to learn about the decision of the Board of the Rome Opera to terminate the contracts of all the orchestra musicians and choir members of this institution, in a disgraceful act of cultural vandalism.
FIA, FIM and UNI-MEI have reacted very negatively to the recommendations put forward on the 31 January 2013 by Mr. António Vitorino, the mediator chosen by the European Commission regarding the private copying issue.
In this document, Mr. Vitorino unexpectedly reflects the discourse of manufacturers and importers of recording media who want to avoid paying the levy which is currently required of them, regardless of the fact that, for many years, these multinationals have made considerable profits from the sale of blank media as a result of the countless acts of consumers copying protected contents.
The IAEA alliance’s programme of activities for the audiovisual sector in India started on the 25 and 26 March 2013, with a seminar in Mumbai which brought together a dozen or so unions representing different sector professions.
Coordinated on site by Mr. Opender Chanana, the programme is backed by LO-TCO (Sweden), which is also an IAEA partner for capacity-building activities in Africa and Latin America.
Despite the personal commitment of their leaders, all volunteers, trade unions in the live performance and audiovisual sectors are not in a position to promote the process of social dialogue which the sector needs.
In agreement with right holders (performers, authors and composers), the Cameroonian Government recently decided the creation of a special deposit account allowing copyright users to pay royalties before the such royalties are transferred to the duly authorized collective management organisations.
Meanwhile, the Port of Douala, which had so far been refusing to proceed to any payment for the use of copyright and neighboring rights, suddenly decided to send those payments to the former management of the Cameroon Music Corporation, which is no longer legally authorized to collect these monies.
Social partners in the audiovisual sector issue a joint opinion highlighting the needs of the film and TV industry for reliable and updated statistics on economy and employment market.
At its meeting today the EU social partners in the European audiovisual sector adopted a joint opinion on the role of the European Audiovisual Observatory. Employers and unions call on the Observatory and its stakeholders including the European Commission, Member States to endeavour to add economic and employment statistics to the Observatory’s range of statistical and data aggregation activities.